Papers

Слово і Час
The article analyses the peculiarities of cyclization in Oleksa Stefanovych’s (1899—1970) poetry.... more The article analyses the peculiarities of cyclization in Oleksa Stefanovych’s (1899—1970) poetry. Based on the theoretical definitions of a lyrical cycle (cycle of poems, sequence of poems) formulated in the works of Rolf Fieguth, Mikhail Darvin, Larisa Liapina, Ronald Vroon, Leonid Yanitskii, et al., the research outlines the main compositional, stylistic, thematic, and functional traits of Stefanovych’s lyrical cycles and demonstrates the evolution of certain key images in them. The material for analysis is taken from the collection of Stefanovych’s poetry published posthumously in Toronto (“Zibrani Tvory” / “Collected Works”, 1975). The special attention is paid to his apocalyptic cycle “Kintsesvitnie” (“The World’s End”) that demonstrates the whole complex of architectonic and stylistic features inherent to a cycle of poems, particularly the presence of the ‘cyclic subject’ defined by R. Fieguth as “the subject of all creative, especially compositional, acts which are the basis ... PaperRank:
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Слово і Час 1 (710), 2020
This article focuses on the military topics and poetics in the patriotic and religious poetry of ... more This article focuses on the military topics and poetics in the patriotic and religious poetry of Oleksa Stefanovych (1899—1970), one of the most interesting Ukrainian diaspora writers. The question of his personal war experience remains open, but the topic of war and the struggle for independence is an important element of his poetry. The material for analysis is taken from his Apocalyptic cycle “The World’s End” (“Kinetssvitnie”) inspired by the events of the WWII, from his patriotic poems dedicated to the heroes of Kruty and Oleh Olzhych, and from the fragments of his unfinished poetic works on the tragic events of Bazar (“Do Bazaru”) and Brody (“Do Brodiv”). Based on Aleida Assman’s descriptions concerning the peculiarities of memory representations in literature, the author demonstrates the main points of Stefanovych’s creative strategy. It is focused on the sacralization and mythologization of real places, figures, and events connected with the struggle for Ukrainian statehood in the early 20th century and the participation of Ukrainians in the events of the WWII. Stefanovych sacralizes space and time by putting the real tragedies of Ukrainian history into the Apocalyptic context and interweaving the motifs of martyrdom and heroism. In his poetic universe the sites of historical events become the places of worship, memory or trauma tightly connected with the paradoxical experience of military defeat that turned to be the moral victory. The typical stylistic traits of Stefanovych’s poetry are defined as the balance between the high symbolism and accuracy of naturalistic details, the extreme level of dramatic tension and exact moral accents.
Keywords: Oleksa Stefanovych, military topics, memory, sacralization. PaperRank:
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Сучасні літературознавчі студії. Топос тварини як антропологічне дзеркало. Збірник наук. праць. — Вип.8. , 2011
The article analyses the evolution of bird images in European metaphysical poetry from the 17th t... more The article analyses the evolution of bird images in European metaphysical poetry from the 17th to the 20th century. The author concentrates on the peculiarities of the symbolism and functions of these images, stressing the balance of static and dynamic elements in them.
Key words: metaphysical poetry, poetics, birds, symbolism, statics, dynamics. PaperRank:
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Людина і Світ., 1998
ОПУБЛІКОВАНО: Рязанцева Т. Муза в келії // Людина і Світ.-1998.-№ 2.-С. 53-55. Текст має незначні... more ОПУБЛІКОВАНО: Рязанцева Т. Муза в келії // Людина і Світ.-1998.-№ 2.-С. 53-55. Текст має незначні відмінності, розширену бібліографію. PaperRank:
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Педро Кальдерон. "Стійкий принц", "Дама-примара": п"єси ; пер. з іспан. С. Борщевського; передмова, примітки Т.М. Рязанцевої. - Харків: Фоліо. 2013. - С. 3-18., 2013
Передмова до українських перекладів "Стійкого принца" і "Дами-примари". El prefacio a las tradu... more Передмова до українських перекладів "Стійкого принца" і "Дами-примари". El prefacio a las traducciones ucranianas de La Dama duende y El Príncipe constante. El artículo contiene los datos biográficos de Calderón y la breve característica de su obra junto con la historia de las traducciones ucranianas de sus dramas más famosos. PaperRank:
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Studia Ingardeniana. T. 1. Interpretacja tekstu literackiego., 2009
The article briefly oulines the ways and methods Dumas used to transform a real historical person... more The article briefly oulines the ways and methods Dumas used to transform a real historical person A. de la Roche d'Anglerais into a character of his novels "La Dame de Monsoreau" and "Les Quarante Cinque" (Chicot).
Key words: Dumas-pere, Chicot, jester, carnival character. PaperRank:
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Література на полі медій. Збірник наукових праць відділу теорії літератури та компаративістики Інституту літератури ім. Т. Г. Шевченка НАН України / Ред. Гундорова Т.І., Сиваченко Г.М. , 2018
Tetiana Riazantseva. Anamorphose and Ekphrasis in Metaphysical Poetry of the 17th-20 th Centuries... more Tetiana Riazantseva. Anamorphose and Ekphrasis in Metaphysical Poetry of the 17th-20 th Centuries. The article discusses the functions of anamorphose and ekphrasis in metaphysical poetry. The material for analysis is taken from Spanish, English, Ukrainian and Russian poetry of the 17 th-20 th centuries. PaperRank:
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САВРЕМЕНА СРПСКА ФОЛКЛОРИСТИКА. VIII. Зборник радова. Словенски фолклор и књижевна фантастика. Уредници проф. др Дејан Ајдачић проф. др Бошко Сувајџић. , 2020
This paper discusses the interpretation of Slavic folktale characters in Serhiy Oksenyk’s fantasy... more This paper discusses the interpretation of Slavic folktale characters in Serhiy Oksenyk’s fantasy trilogy WALKING, FLYING, FLOATING (Ukr. Лісом, небом, водою, 2004-2014).The trilogy is classified as a postmodern, double-addressed post-apocalyptic fable. The demonic creatures of Slavic folklore receive a new, sometimes ironic, interpretation and become a part of complex textualised world that is set in recognisably Ukrainian and Soviet scenery and filled with allusions to Ukrainian folklore and literature. Folktale creatures and humans are represented as equally important components of the live world who should find a way to communicate and restore the world’s harmony PaperRank:
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Słowiańskie śwaiaty wyobraźni. — Kraków: Scriptum, 2018. — P. 199-208., 2018
Abstract: Aleksandr Sharov (born Sher Nurenberg 1909—1984), a Soviet Russian language writer, aut... more Abstract: Aleksandr Sharov (born Sher Nurenberg 1909—1984), a Soviet Russian language writer, author of popular science and SF books and fantasy prose for children. His fantasy stories, which are focused on the formation of the individual, combine lyricism with the intense expectation of miracles and are full of perilous trials through which the heroes must pass (The Dandelion Boy and the Three Keys, 1969; Peaman and Simpleton, 1973; The Red-haired Girl with a Green Bow, 1977). An important feature of these tales is Sharov’s deep respect for children and ability to address his young readers sincerely and seriously, without condescending or mentoring. The negative characters of these tales (the main object of this paper) are derived from folklore, but their interpretation reflects the typical realities of life under totalitarian regimes: egotism and longing for unlimited power, treason, cowardice, physical and mental pressure, suppression of freedom of thought and creativity.
Key words: fantasy, Aleksandr Sharov, images of Evil, totalitarianism, literature for children. PaperRank:
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РЕНЕСАНСНІ СТУДІЇ, 2018
РЕНЕСАНСНІ СТУДІЇ.-ЗАПОРІЖЖЯ, 2018.-ВИП. 29-30.-С. 22-30. SUMMARY:
LAIS OF MARIE DE FRANCE
IN T... more РЕНЕСАНСНІ СТУДІЇ.-ЗАПОРІЖЖЯ, 2018.-ВИП. 29-30.-С. 22-30. SUMMARY:
LAIS OF MARIE DE FRANCE
IN THE CONTEXT OF FANTASY LITERATURE
Tetiana Riazantseva
Taras Shevchenko Institute of Literature,
National Academy of Sciences of Ukraine
The Centre for Fantasy Literature Studies was founded at the Taras Shevchenko Institute of Literature in Kyiv, Ukraine in June 2015. The main aim of the Centre is to provide the scholars writing on Ukrainian and foreign fantasy literature with opportunities for professional communication in the fields of literature, linguistics, art, culture, translation, etc. In 2015-2017 the Centre organised several workshops to discuss theoretical and practical issues of importance to scholars of fantasy (i. e. terminology of fantasy literature studies, genesis of fantasy, intermedial perspective in fantasy studies, poetry in fantasy, national versions of fantasy literature). This article is based on the paper presented during the 4th workshop (April 2017) dedicated to the role of poetry in fantasy. The Lais of Marie de France (12th c.) is considered here as one of the first Western European poetic narratives demonstrating the tendencies that later evolved into the “high fantasy” tradition. The article demonstrates the peculiarities of selection and interpretation of the plots and characters in four lais with explicit fantastic elements (Giguemar, Lanval, Bisclavret, Yonec).
Key words: Marie de France, lais, fantasy, fairy. PaperRank:
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Виправлена і доповнена версія статті, опублікованої у:
Сучасні літературознавчі студії. Вип. 2.:... more Виправлена і доповнена версія статті, опублікованої у:
Сучасні літературознавчі студії. Вип. 2.: Дитина і світ:
проблеми культурного діалогу. Збірник наукових праць. Гол. ред.
В. І. Фесенко. — Київ: Видавничий центр КНЛУ, 2005. — С. 111-116.
The article provides a comparative analysis of Tamara Gabbe's play "The City of Craftsmen or The Tale of Two Hunchbacks" (1943) and its cinema version (1965). PaperRank:
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Сучасні літературознавчі студії. Феномен дому в літературознавчій перспективі. - Зб. наукових пра... more Сучасні літературознавчі студії. Феномен дому в літературознавчій перспективі. - Зб. наукових праць. Вип. 13. - Київ: Видавничий центр КНЛУ, 2016. - С. 489-499. This article analyses the peculiarities of the descriptive techniques in J. R. R. Tolkien’s early prose. Particular attention is paid to the functions and interaction of hypotyposis and ekphrasis. Having analysed the descriptions of landscapes and dwellings in the second and third chapters of “The Book of Lost Tales I” the author comes to the conclusion that the system of descriptions in these texts possesses the main traits of fractal structures: self-identity, hierarchy and dynamism. PaperRank:
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Людина і світ. - 2000. - №1 (472), січень-лютий. - С. 44-48.
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Вісник Львівського університету. Серія іноземні мови. 2016. - Вип. 24. Ч. 2. - С. 64-69.
The art... more Вісник Львівського університету. Серія іноземні мови. 2016. - Вип. 24. Ч. 2. - С. 64-69.
The article analyses the peculiarities of intertextual relationship between the postmodern British fantasy prose and the metaphysical poetry of the 17th century. PaperRank:
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Оприлюднено на сайті Інституту літератури НАНУ http://www.ilnan.gov.ua/index.php/uk/naukovo-doslidni-tsentry-pry-instytuti/tsentr-z-doslidzhennia-literatury-fentezi/item/468-vytoky-literatury-fentezi, 2018
Витоки літератури фентезі. Поезія у контексті метажанру фентезі. Збірник матеріалів наукового сем... more Витоки літератури фентезі. Поезія у контексті метажанру фентезі. Збірник матеріалів наукового семінару Центру з Дослідження Літератури Фентезі при Інституті літератури ім. Т. Г. Шевченка НАН України (17 листопада 2016, 21 квітня 2017) / Ред. Рязанцева Т. М., Канчура Є. О. – Київ, 2018. – 97 с. PaperRank:
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Збірник матеріалів ІІ семінару ЦДЛФ оприлюднено на сайті Інституту Літератури НАНУ http://www.ilnan.gov.ua/index.php/uk/naukovo-doslidni-tsentry-pry-instytuti/tsentr-z-doslidzhennia-literatury-fentezi/item/277-intermedialni-vymiry-literatury-fentezi, 2016
Інтермедіальні виміри літератури фентезі. Збірка матеріалів наукового семінару Центру з Досліджен... more Інтермедіальні виміри літератури фентезі. Збірка матеріалів наукового семінару Центру з Дослідження Літератури Фентезі при Інституті літератури ім. Т. Г. Шевченка НАН України (20 квітня 2016р.) / Ред. Рязанцева Т. М., Канчура Є.О. — Київ, 2016. — 72 с.
Збірка містить матеріали другого семінару ЦДЛФ. Доповіді відображають палітру зацікавлень українських дослідників метажанру фентезі в аспекті інтермедіальності та накреслюють актуальні напрями подальших досліджень у цій сфері. Для літературознавців, студентів-філологів, викладачів історії літератури і компаративістики, для всіх, хто цікавиться проблемами літератури фентезі. PaperRank:
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Center For Fantasy Literature Studies: Books

Challenges of Ukrainian Translation and Theoretical Aspects of Fantasy Literature Studies, 2021
Виклики українського перекладу та теоретичні аспекти дослідження літератури фентезі. Збірник мате... more Виклики українського перекладу та теоретичні аспекти дослідження літератури фентезі. Збірник матеріалів наукових семінарів Центру з Дослідження Літератури Фентезі при Інституті літератури ім. Т. Г. Шевченка НАН України (26 листопада 2019, 8 січня 2021) / Ред. Рязанцева Т. М., Канчура Є. О., Тихомирова О. В. – Київ, 2021. – 115 с.
Abstracts (in English)
Riazantseva T. M., Kanchura Y. O., Tykhomyrova O. V. (Eds.) (2021) Challenges of Ukrainian Translation and Theoretical Aspects of Fantasy Literature Studies.
Materials of Academic Seminars of the Centre for
Fantasy Literature Studies at Shevchenko Institute of Literature, National
Academy of Sciences of Ukraine (November 26, 2019, January 8, 2021).
Tykhomyrova O. V.
The British Code in Fantasy Fiction as a Translation Challenge
The paper addresses strategies of foreignization / domestication as applied in the
translation of fantasy fiction. The presence of Britishness in a fantasy world is
analyzed with regard to its domesticating or defamiliarizing effect, both of which
problematize the choice of translation strategies. The issue is traced in the British
fantasy novel “Good Omens” by Terry Pratchett and Neil Gaiman and its Ukrainian
translation of 2018.
Key words: Britishness, defamiliarization, domestication, fantasy, foreignization,
translation.
Melnyk D. М.
The functioning of the onyms in the fantasy literature
and their translation
The paper focuses on the types and functioning of onyms in fantasy literature, as well
as on the peculiarities of their translation into Ukrainian. Two modern German novels
written by K. Funke and W. Moers are taken as a basis. Onyms are assumed as one of
the important instruments of constructing a fictional world, because they create a
reference allusion and make the reader believe in the "reality" of the fantasy world.
The paper deals basically with translation of characters’ names.
Keywords: fantasy literature, translation, onym, fictional world, referential illusion,
Cornelia Funke, Walter Moеrs.
Legeza S. V.
A translator between “betrayal” and “victory”: the reader cultural
competencies and reconfigurations of popular culture
The article deals with the extra-literary factors affecting the translator’s work. Some
of these factors result from the fandom (the active part of the pop culture consumers),
social network discussions and the transformation of an active reader’s role from an
object to the subject of the interaction with the text. The named factors and their
impact on the translator’s work are specific for Ukraine. One of the most challenging
issues are the need of re-translation and the dominance of Russian-language books at
the Ukrainian market, as well as the necessity of changes in the publishing policy.
Key words: fantasy, fandom, readers’ audience
112
Nazarenko M. Y.
“Whether you know all that is to be known concerning small mirrors?”
What and how to comment in fantasy translation
The paper focuses on the issue of commenting on fantasy literary works based on
modern publishing practice in Ukraine and abroad. It discusses the main types of
comments, the choice of what should be commented with regard to the target
audience, etc. The specifics of various subgenres of fantasy in this aspect are
indicated.
Key words: commentary, intertext, intention of the text, ideal author and ideal reader
Stuzhuk O. V.
An Editor: between a Reader and a Translator.
The author shares some reflections based on her experience in editing of the
speculative fiction texts.
Key words: editor, translator, reader, writng.
Stasiuk B. V.
Revision of Ursula K. Le Guin’s Works. Problem of the Final Version Reception
The paper dwells on the research which covers the issue of the literary translation
consecutive revisions reception by the Ukrainian readers. The subject of the research
is the highly appreciated fantasy novel The Tombs of Atuan by an outstanding
American writer Ursula K. Le Guin. The paper highlights both positive and negative
trends in revision process, discusses possible reasons of their appearance and their
regulative effect upon the recipient.
Keywords: fantasy, translation, revision, reception.
Paglieri L.
Tolkien in Italy
In Italy Tolkien became a sort of “political case” in the Seventies. He was much
loved by right-wing intellectuals and readers and often criticized by left -wing public
opinion. Nowadays a new translation (published in 2019-2020) arouses again a great
In Italy Tolkien became a sort of “political case” in the Seventies. He was much
loved by right-wing intellectuals and readers and often criticized by left -wing public
opinion. Nowadays a new translation (published in 2019-2020) arouses again a great
deal of controversy. deal of controversy.
Keywords: J. R. R. Tolkien in Italy, politic, translation
Tykhomyrova O. V.
The Sacred in the Metagenre of Fantasy
The paper dwells on the notion of the sacred, outlining its theoretical scope within
literary studies and focusing on its manifestation in the metagenre of fantasy. The
opposition of the sacred and the profane is viewed as an integral component of
secondary world-building. Major ways of showcasing the sacred in the fantasy world,
113
as well as the function of the hierophany, are elucidated with the help of instances
drawn from J. R. R. Tolkien’s alternative mythology, particularly the motif of food
consumption.
Key words: fantasy, food, hierophany, profane, quest, secondary world, sacred.
Astrakhan N. I.
J. K. Rolling’s Series of Novels about Harry Potter: at the Crossroads of
Utopia and Dystopia.
The article focuses on possible vectors of the effect that the fantasy world picture has
on its recipients, its ability to express existential meanings, to solve moral and
philosophical problems of general cultural significance. Considering the polymetagenre syncretism inherent in J. К. Rowling’s Harry Potter series, the interaction
of utopian and dystopian tendencies within the functioning of universal socio-cultural
forms is regarded as one of the key features of postmodern fantasy.
Key words: fantasy fiction, metagenre, artistic picture of the world, utopia, dystopia.
Filonenko O. G.
Tomm Moore's Celtic Fantasy
The paper discusses the animated films of the Irish filmmaker, animator, illustrator
and comic artist Tomm Moore as a specimen of the Celtic fantasy genre. Celtic
fantasy heavily draws on Celtic (Irish, Welsh, Scottish, and Breton) myth and
folklore. In his Oscar-nominated animated films The Secret of Kells (2009), Song of
the Sea (2014), and Wolfwalkers (2020), Tomm Moore creates an original secondary
world which is the combination of the Irish historical or contemporary situation and
the Otherworld inhabited by fairies, sidhe, selkies and wolfwalkers. In his films, he
researches the relationship between human and non-human, the wild and the
civilized, Irish culture and foreign cultures, the country and the city, children and
adults/parents; he stresses the importance of the preservation of the old lore and
knowledge and the necessity to keep the balance between nature and civilisation.
Through his artistic synthesis, he seeks to promote a new, more harmonious Irish
identity.
Keywords: animation, Celtic fantasy, Celtic studies, Irish folklore
Kanchura Y. O.
Terms Introduced by Fantasy Writers: Usage in Academic Context
While developing the theoretical base of fantasy literature studies the scholars face
the lack of special terms related to several important aspects of fantasy literature.
Meanwhile, prominent fantasy writers, in their essays as well as in their works of
fiction, create a number of terms to describe the key laws of fantasy reality (such as
secondary belief, inner consistency of reality coined by J. R. R. Tolkien, narrative
causality, white knowledge offered by Terry Pratchett, etc.). The paper aims at
discussing the possibility to use writers’ terms in academic research and to correlate
them with academic vocabulary and to integrate them into it.
Keywords: fantasy literature studies, trope, term, secondary world PaperRank:
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Національна своєрідність літератури фентезі: європейська палітра. Збірник матеріалів наукових семінарів Центру з Дослідження Літератури Фентезі при Інституті літератури ім. Т. Г. Шевченка НАН України (22 листопада 2018, 19 квітня 2019) / Ред. Рязанцева Т. М., Канчура Є. О. – Київ, 2020. – 72 с., 2020
Збірник містить матеріали VII і VIII Семінарів ЦДЛФ і продовжує серію публікацій, присвячену наці... more Збірник містить матеріали VII і VIII Семінарів ЦДЛФ і продовжує серію публікацій, присвячену національним варіантам фентезі. Увага доповідачів зосереджена на британському, німецькому та іспанському фентезі, а також на слов’янських варіантах метажанру (Болгарія, Польща, Росія). Для літературознавців, студентів-філологів, викладачів історії літератури і компаративістики, для всіх, хто цікавиться проблемами фентезі.
Оприлюднено на сайті Інституту літератури ім. Т.Г. Шевченка НАН України http://www.ilnan.gov.ua/media/k2/attachments/Zbirnyk.pdf PaperRank:
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Збірник матеріалів наукових семінарів 22. 11. 2017 та 27.04. 2018, 2019
Національна своєрідність української літератури фентезі. Збірник матеріалів наукових семінарів Це... more Національна своєрідність української літератури фентезі. Збірник матеріалів наукових семінарів Центру з Дослідження Літератури Фентезі при Інституті літератури ім. Т. Г. Шевченка НАН України (22 листопада 2017, 27 квітня 2018) / Ред. Рязанцева Т. М., Канчура Є. О. – Київ, 2019. – 67 с.
Матеріали семінарів оприлюднено на сайті Інституту Літератури НАН України ім. Т. Г. Шевченка PaperRank:
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